RECOOP Sciences & Arts Competition

In 2022 the RECOOP HST Association will have the Seventh Sciences and Arts Competition.

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RECOOP HST Association organized the first Art & Sciences Competition in Budapest, Hungary, in 2016. Inspired by the beauty of living organisms, RECOOP HST scientists submitted artworks depicting life at the molecular, subcellular or cellular level. Each year, the winning works of art created by scientists are displayed during the Bridges in Life Sciences Conference.

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The distinguished members of the Jury

Csaba Vladar


Csaba Vladar Painter and Graphic Artist, Art Director, Art Therapist (born 1962 in Budapest) Art is either a "minimal" Pantheist or Deist and the Transcendent of faith origin- or, as you can see, atheist-neutral works of nonsense - none. Style and tone: From lyrical and dramatic fortress, pantheistic philosophy, soul - attempts to interpret world and myth on the basis of colorism and abstract conservative realism. Motto: Pondering in the silence of his home, he sets circles of wisdom and thus reveals the secrets of the creative mind. It measures matter and strength, magnetic attraction and repulsion, sounds in the air, followed by light through ether. That's how he searches intimate law in this wonderful accident and a point of rest among the phenomena of the hellish existence. Friedrich Schiller: The Walk (detail)

by Csaba Vladar

Toni Franović


Toni Franović (born in 1964 in Zagreb) could, due to his painting talent and choice of bold colourful emotion, be the son of Edi Murtić, however, he belongs to a completely different calibre of painting experience − historical temperament and the Pannonian climate. His origins are recorded in the surnames Rosenberger, Kreutzer, Kohn, Hirschl, Deutsch and Eisler, and range from the Styrian Prekmurje to Hungary, from Zalaegerszeg to Lendava, Beltinci and Murska Sobota: from Petanjci and Radenci to Radgona and Maribor to Ptuj, Čakovec, Zagreb and Legrad.

by Toni Franović

Ken Flewellyn


I’m primarily a realist oil painter. The actual process of creating my paintings is intensive. A finished painting will normally have 100+ hours of work put into it. I’ve refined this process over years of painting. Even as I get faster, I find a way to reinvest that time into making a better product. I’m a bit of a perfectionist and slightly obsessed but I love it. They’re fun pieces to make.

by Ken Flewellyn